Style
Ryan Davis’s Junk-Drawer Heart
On Easter Sunday, the Louisville-based singer-songwriter Ryan Davis opened a matinée show for Bill Callahan in the assembly room of a former Catholic school in Kingston, New York. Indoor...
A.I. Is About to Solve Loneliness. That’s a Problem
There’s real reason for caution here, starting with the idea that interactions with A.I. can be treated as genuine relationships. Oliver Burkeman exasperatedly writes that, unless you think the...
Joost Swarte’s “Sunny-Side Up”
For the cover of the July 21, 2025, issue, the artist Joost Swarte portrays how New Yorkers have been feeling in the midst of a heat wave. “The part...
A Memoir of Working-Class Britain Wrings Playfulness from Pain
The escape from working-class life has good narrative pedigree, a classic form—beginning with the idea of escape itself. It’s something like a sharpened bildungsroman. The child is nudged forward...
What Do Commercials About A.I. Really Promise?
If a recent crop of commercials touting the benefits of artificial intelligence is any indication, lots of Americans these days feel unduly burdened by the demands of everyday cognition....
Teaching Men Who Will Never Leave Prison
It’s 2018. I am, for the first time, in a classroom at Great Meadow Correctional Facility, in Comstock, New York, a men’s maximum-security state prison. There are sixteen students...
Earth’s Poet of Scale
If there was one absence in Burtynsky’s account of our time, however, it was the single greatest result of all that mining, burning, and consuming: the transformation of the...
Carrie Brownstein on a Portrait of Cat Power by Richard Avedon
Listen and subscribe: Apple | Spotify | Google | Wherever You ListenSign up for our daily newsletter to get the best of The New Yorker in your inbox.For The...
An Adolescent Crush That Never Let Up
John Updike’s professional relationship with The New Yorker began in 1954, when he was twenty-two and the magazine published his poem “Duet, with Muffled Brake Drums,” but his personal...
Conor McPherson’s Reliable Treasure
Conor McPherson’s small 1997 masterwork “The Weir” has been one of the most reliable treasures of the Irish Repertory Theatre. First directed by Ciarán O’Reilly in 2013, revived in...
